Tuesday 7 April 2009

Act II King Lear Post II

3. If you chose to do question 1 (or even if you didn’t), it is interesting to consider Edgar’s state of mind when he takes on the persona of Tom O’Bedlam. Certainly, he is trying to disguise himself, but this is an extreme disguise indeed. Consider why he chose this particular disguise. What would drive him to this? Again, you can do this as a mini-essay, but it might be more interesting and more informative to write from Edgar’s perspective. Do whatever comes most naturally to you, but don’t write to fill space—be thoughtful.

For one thing, all the people out searching are looking for a fleeing nobleman, not a nutcase beggar. In extremity lies safety- it decreases the chance that anyone will recognize him. Additionally, since Tom O’Bedlam is insane, there is no risk that he will accidentally do something out of character for his chosen disguise. Anything odd about him will simply be attributed to the fact that he’s crazy. Also, ‘Poor Tom’ is a wanderer- Edgar doesn’t have to try to blend into a town or village or anything where he would have to interact with a lot of other people and explain how he got there and what he is doing. In his disguise, he can also figure out what is going on concerning the search for him by wandering around in plain sight.

(note: I have read all the play, so I am going to talk about it because I forget where exactly Act II ends. sorry.) Edgar’s motives probably have nothing more beyond that, but Edgar’s choice of disguise has literary symbolism within the play. (or maybe not symbolism, but interesting whatever). Later in the play, he is with mad King Lear and his pretended madness compares to Lear’s real insanity. This is especially interesting since Edgar survives at the end and reclaims his name and honour, whereas Lear dies crazy. For all that Edgar is tricked by Edmund’s not-so-sneaky manipulation, he takes control of his destiny after he flees- choosing an apt disguise, attempting to save his father and then living (a great feat in Shakespeare’s tragedies). Lear on the other hand, after willingly giving up power, loses control of everything and dies. Miserably. I have no idea if you’re actually supposed to compare Edgar with his fake crazy to Lear with his real crazy, but it just seems interesting.

Act 2 King Lear Post 1

2. What is it—what could it conceivably be—that would make children turn against their parent as completely as Goneril and Regan have turned against Lear? They’ve gone beyond irritation and its consequent neglect to outright cruelty. You may consider this question either specifically in reference to the two women (imagine their backstory the way you did Edgar’s) or consider it in general. Where do the terrible resentments of children for their parents come from? What is so very powerful about that relationship?

I think that in Goneril and Regan’s specific case, Lear’s inability to process love the way he should has a lot to do with how they act towards him. If a parent and a child have a good relationship, they are honest with each other and see each other as more than just a means to an end. Neither of those two elements is present in Lear’s relationship with Goneril and Regan. Lear doesn’t want honesty from his daughters- he wants flattery- and so they probably learned emotional manipulation from him. We never see Lear as being openly power-hungry, apart from his refusal to actually give up his status in more than name, but he strikes me as the sort of person who would be power-hungry, or conscious of retaining his power. Goneril and Regan probably either learned or inherited that trait from him, and combined with his inability to actually have a normal relationship anyway (because he doesn’t understand love), they only see him as a path to power. Lear’s impulsive disowning of Cordelia shows he has the ability to be petty and unkind simply because he feels like it at some small offense. What happened to Cordelia probably wasn’t the first time Lear acted out like that. A lot of little slights like that over a long period of time probably would have contributed to Goneril and Regan’s resentment for Lear. Also, neither of them strikes me as a particularly ‘good’ and moral character on their own, so their own faults definitely contribute to this. This is especially true since Cordelia has a good relationship with Lear (sort of, anyway) and she turns out no to be petty and power-hungry and cruel, so it can’t be all Lear’s fault. So, in Goneril and Regan’s specific case, their lack of a good relationship with Lear is due to bad parenting, a lack of a good role model and Goneril and Regan’s own ambition and innate cruelty. Of course, that is just for Goneril and Regan. Other children have other differences with their parents. Just like in Lear and Goneril and Regan’s case, it is partly the fault of the parent and partly the fault of the child that drives parent and child apart. How much is each depends on the specific situation.